East Hampton Rekindles Legacy of Two Springs Artists

Charlotte Park and James Brooks in an undated photo | Maurice Berezov, Brooks Park Heritage Project
Charlotte Park and James Brooks in an undated photo | Maurice Berezov, Brooks Park Heritage Project

The artists James Brooks and Charlotte Park were among the earliest notable participants in the Abstract Expressionist movement, but when their 11-acre property and studios in Springs was purchased by East Hampton Town last year, the original plan was to knock down their work spaces and turn the property into a preserve.

But artists in East Hampton, many of whom knew the couple and were intimately familiar with their work, launched a campaign not long after the town purchased the property to see their studios restored.

Last week, East Hampton Town took the first step in that process by designating the buildings a historic landmark, and the town board is planning to hold a second public hearing Aug. 7 to change the purpose of their purchase, through the Community Preservation Fund, from open space preservation to historic preservation.

Mr. Brooks was one of the original signers in 1950 of an open letter to the director of the Metropolitan Museum of Art, boycotting the museum’s then-current exhibit “American Painting Today—1950.” At the time, this group was called the Irascibles. They later became known as the Abstract Expressionists.

The Montauk studio and guest cottage.
The Montauk studio and guest cottage.

The couple first came to the East End after visiting their friends Jackson Pollock and Lee Krasner in Springs in 1948. At first, they leased a house and studio overlooking Fort Pond Bay in Montauk, but after the studio was badly damaged by Hurricane Carol in 1954, they moved the cottage by barge to their own property on Neck Path in Springs in 1957. Two years later, Mr. Brooks built a studio on the Neck Path property, and in the early 1970s, Ms. Park had another building, believed to have been the original Wainscott Post Office, brought to the property to be used for her studio.

Mr. Brooks died in 1992 and Ms. Park died “peacefully…at the age of ninety-two at her home in East Hampton” on Dec. 26 2010, according to her obituary in The New York Times.

At a public hearing on the historic designation before the East Hampton Town Board July 17, many residents shared personal stories of the two artists.

Former Town Councilman Job Potter’s father’s marine contracting firm, East Hampton Dredge and Dock, was responsible for moving the house from Montauk to Springs.

He said he and attorney and East Hampton natural history expert Rick Whalen had explored the shoreline in Montauk looking for the original site of the house, in an area where he’d heard trap fishermen from the North Fork often spent their summers. Mr. Potter said he believes the Abstract Expressionist movement is perhaps one of the most important things that happened in East Hampton.

“I think this is really a great project,” he said. “The town did a really good thing buying this land.”

East Hampton Nature Preserve Committee Chairman Zachary Cohen spent a great deal of time over the past year talking to people in Springs who knew James Brooks and Charlotte Park.

“They were not just artists who lived in Springs. They were artists of The Springs,” he said.

He read several passages from Ms. Park’s nature journals, which were donated to the South Fork Natural History Museum by her friend, Cile Downs.

East Hampton Arts Council co-chair Jane Martin shared “the council’s passionate support for historic preservation of the Brooks-Park property and the buildings on it.”

Martin Drew of Springs, a longtime advocate for recreation areas, particularly for dirt bikes, in town, said he had mixed feelings about the projects.

“You guys initially bought it for recreation and open space,” he said, adding that he believes the town is now focusing a lot of energy on turning Springs into an ‘artist Mecca.’

“It needs to be the community Mecca,” he said. “If art is a part of that, it’s a wonderful thing.”

“This is another shining example of buying land without a steadfast management plan in place,” he said. “I don’t think [Director of Land Acquisition] Scott Wilson makes mistakes. You should have known what you were doing with this property from the onset.”

Ira Barocas said he believes the property will become a community resource.

“I believe there are many, many historic structures in our town. It behoves our community to recognize these historic structures,” he said. “It will become a community resource, not just for artists, but a community resource that recognizes the people who came to our town as part of that art movement.”

Architect John Mullen pointed out several unique features of the buildings that he found to be worth preserving.

“When I looked at it as an architect, I said, ‘wow, you can’t tear this down,'” he said.

Loring Bulger lives across the street from the property and has been instrumental in making the John Little Studio at Duck Creek Farm in Springs open to the public.

“This has been an extraordinary year for the arts in Springs,” she said. “A year ago, the Pollock-Krasner House and Ashawagh Hall was it.”

The non-profit Brooks-Park Heritage Project is collecting private donations to restore the studios and open them to the public. More information is online here.

 

 

Beth Young

Beth Young has been covering the East End since the 1990s. In her spare time, she runs around the block, tinkers with bicycles, tries not to drown in the Peconic Bay and hopes to grow the perfect tomato. You can send her a message at editor@eastendbeacon.com

Leave a Reply

Your email address will not be published.

Please prove you're human: